2 stars · fiction · young adult

All of This is True is NOT the contemporary you were looking for

35068735

All of This is True

author : lygia day penaflor

pages : [ebook] 432

summary :

Miri Tan loved the book Undertow like it was a living being. So when she and her friends went to a book signing to meet the author, Fatima Ro, they concocted a plan to get close to her, even if her friends won’t admit it now. As for Jonah, well—Miri knows none of that was Fatima’s fault.

Soleil Johnston wanted to be a writer herself one day. When she and her friends started hanging out with her favorite author, Fatima Ro, she couldn’t believe their luck—especially when Jonah Nicholls started hanging out with them, too. Now, looking back, Soleil can’t believe she let Fatima manipulate her and Jonah like that. She can’t believe that she got used for a book.

Penny Panzarella was more than the materialistic party girl everyone at the Graham School thought she was. She desperately wanted Fatima Ro to see that, and she saw her chance when Fatima asked the girls to be transparent with her. If only she’d known what would happen when Fatima learned Jonah’s secret. If only she’d known that the line between fiction and truth was more complicated than any of them imagined. . . .

review :

I received an e-Arc of this book from Epic Reads in exchange for my honest review.

I was very excited to read All of This is True because I want to read more contemporary this year. The book is told in alternative format, which I love–in podcast interviews, emails, texts, and book excerpts. There’s a book-within-the-book going on, which I think is an interesting move. I was highly interested and didn’t know much about the plot before I dove in.

Let’s start by talking about the format. Some of the alternative text didn’t lend itself well to ebook format, though this may just be an issue with the ARC, so I’d suggest getting a physical copy to get the full affect. Still, I think it could have been done in a better way to really capture the narrative voice. The podcast interviews were impossible to tell apart—all of the girls being interviewed ended up sounding the same. Because the names of the people in the book-within-the-book, characters based on the characters we’re learning about in ‘reality’, all began with the same letters as the people they were based on, it was hard to keep track of who was who. There was no real foundation for the story to stand on.

Next, the characters. If the voice couldn’t be the foundation, surely the characters could. But they were all very unlikable, and I’m not certain that was done on purpose. I didn’t really care about any of them. I didn’t care if they were hurting, or in trouble, or excited. I didn’t want to hear their perspectives on the incident. Actually, I still don’t knowwhy the book was told in this format. Why did we need to hear their perspectives on the incident? Only one character actually says anything that adds to the intrigue of the book (such as it is). In that case, we could have focused on her for the whole of the story and made things less confusing.

The book-within-a-book was . . . bad. This is another thing that, if I knew for certain was done on purpose, I would like a lot more. The book-within-a-book is supposed to be written by this young, best-selling writing prodigy. I think she’s in her mid-twenties and she’s supposed to be really, really great at writing amazing, thought-provoking passages. The book-within-a-book was so laden with cliche and specifically YA cliche that I thought it had to be done as a parody. I really hope it was. Matching this terrible book-within-a-book with the supposed prodigy author, within the context of the theme of the real book, would make things very interesting.

The plot twist . . . as soon as that portion of the plot was mentioned, I called the resolution then and there. Actually, I thought that the book would have been better and bolder if the plot twist hadn’t existed and the plot had taken a completely different direction. Instead, the plot relied upon and built up to this twist that was completely unnecessary, that needed ‘shock value’ I guess, and made the book pretty . . . boring.

It was a very unique idea, but I can’t say that I recommend it.

2/5 stars

 

 

Advertisements
interview

An interview with Yellow Taxi Press

I’m very excited to bring an interview to you all today from the founders of a new and exciting press. What’s so unique about Yellow Taxi Press is its examination of the publishing world and the lack of ‘new adult’ content to bridge the gap between YA and Adult Lit. Co-creators Alyssa and Madeline agreed to answer a few questions about publishing, presses, and what they’ve most recently read.

~~~

  1. Tell us a little background info on Yellow Taxi Press.

YTP actually came out of a class project. We’re both graduate students, and the final project for one of our classes was to come up with some kind of company that fills a void in the publishing industry. As big fans of Young Adult literature, we’ve always wished there was something like YA that dealt with experiences of twentysomethings. There’s of course New Adult, but a lot of current New Adult narratives tend to be very based in romance–while plenty of readers love those stories, they weren’t the kinds of stories Madeline and I were interested in reading.

Yellow Taxi Press was created to kind of bridge the gap between Young Adult, New Adult, and general literature. Months after the class was over, we still found ourselves wishing YTP existed. Readers are craving these kinds of stories, and writers are creating them; we’re just trying to bring those people together.

  1. Why do you think there is such a gap in the publishing industry when it comes to publishing narratives about coming into adulthood (i.e. ‘new adult’)?

I think a lot of that unfilled need has to do with the way more people are “staying young” long. By that we mean that–on average–people are getting married later, staying in school longer, renting apartments instead of buying homes, etc. A lot of the themes of general fiction used to be really applicable to those twentysomething years, but now that time has become kind of a between for a lot of people: not quite “young adults” but not really settled into adulthood yet either.

The way we define young adult and general in publishing hasn’t really gotten around to reflecting that. New Adult was of course meant to, but as I mentioned, a lot of New Adult is really based in romantic plots. While that is certainly a significant part of some people’s twentysomething life, it’s certainly not the only part. With YTP, we’re hoping to explore things like self-discovery, changing family and friend relationships, figuring out how to interact with current events.

  1. What does the Press hope to accomplish by filling this gap?

Young adult books were so important to us in our teenage years. We could see our own struggles reflected in those narratives. With YTP, we’re really hoping to publish stories that readers can enjoy, find companionship in, and see their own lives in.

  1. What do you think readers anticipate from this untold new adult works, both fiction and nonfiction?

One of the great powers of literature is that it lets you into the mind of another person. It’s such a diverse and big world, and there are so many writers telling incredible, difficult, important, stories about this time of life. Hopefully readers anticipate stories that they can both see themselves in and also stories that give them insight into the lives of others.

  1. What are you looking for in your submissions?

A strong voice and good storytelling. Make it unique, and make us keep wanting to turn the page.

  1. What was the last book you read?

I just read I Am Not Your Perfect Mexican Daughter by Erika L. Sánchez and Madeline just read When Breath Becomes Air by Paul Kalanithi.

~~~

Thank you for joining us here on Caught Between the Pages and sharing more about the press!

For anyone who would like to learn more, you can find all info on the press website, https://www.yellowtaxi.press/.

3 stars · reread review · young adult

Reread Review: Every Day by David Levithan

15771473

every day

author : david levithan

pages : [hardcover] 322

memorable quote :

I wake up thinking of yesterday. The joy is in remembering; the pain is in knowing it was yesterday.

summary :

I wake up.

Immediately, I have to figure out who I am. It’s not just the body – opening my eyes and discovering whether the skin on my arm is light or dark, whether my hair is long or short, whether I’m fat or thin, boy or girl, scarred or smooth. The body is the easiest thing to adjust to, if you’re used to waking up in a new one each morning. It’s the life, the context of the body, that can be hard to grasp.

Every day I am someone else. I am myself – I know I am myself – but I am also someone else.

It has always been like this.

original rating, december 2012 : 5 stars

december 2017 rating : 3 stars

I remember the love that I had for this book. I remember being unable to put it down, until to get this remarkable concept out of my head.

I have fallen out of love with this book.

I still love the premise. The concept is the driving force of this book and David Levithan does a fantastic job with it. The diversity presented within this book is astounding.

It just isn’t a very good love story.

I realize that it needs to be insta-love; A only spends one day in each body so in order for them to form a connection with anyone it needs to be a little instantaneous. But it was also slightly . . . weird. As in, A kept pressuring the love interest to be with them and kiss them and all when she’d repeatedly said she has no interest in them and has a boyfriend.

It made things jarring and less fun and less . . . good.

I still think everyone should give this book a try, if only for the intriguing concept and the diversity spread throughout. It’s worthwhile. It’s just no longer a favorite, and I’m not sure I’ll ever read it again.

3 stars · series · young adult

Daughter of the Pirate King: entertaining but disappointing

33643994

daughter of the pirate king

daughter of the pirate king #1

author : tricia levenseller

pages : [hardcover] 320

favorite character : alosa

summary :

There will be plenty of time for me to beat him soundly once I’ve gotten what I came for.

Sent on a mission to retrieve an ancient hidden map—the key to a legendary treasure trove—seventeen-year-old pirate captain Alosa deliberately allows herself to be captured by her enemies, giving her the perfect opportunity to search their ship.

More than a match for the ruthless pirate crew, Alosa has only one thing standing between her and the map: her captor, the unexpectedly clever and unfairly attractive first mate, Riden. But not to worry, for Alosa has a few tricks up her sleeve, and no lone pirate can stop the Daughter of the Pirate King.

review :

Daughter of the Pirate King was a lot of fun and proved why we need more lady pirates in books. But it wasn’t perfect.

I’ve wanted to read this book ever since I saw the MC compared to a ‘female Jack Sparrow’ (and my love for the Pirates of the Caribbean films is never-ending despite theirfaults). The cover is cool, the concept cooler. I finally managed to get a copy from the library and settled in.

The book immediately draws you in. The plot begins with a big battle scene, the beginnings of a cunning scheme, and blood. Lots of blood. Oh, and death. This isn’t some sanitized version of pirating–there are lots of people who aren’t going to make it through the book, simply because they were in the wrong place, or didn’t fight hard enough, or were too drunk to defend themselves. I loved that ‘classic’ pirate things were happening–the pillaging, the plundering, the drinking. All seen through the lens of this incredibly strange and powerful young woman.

Alosa is an amazing main character in many ways. She’s interesting to follow. She’s smart, has witty comebacks, and is a fantastic fighter. The only problem is possibly that she’s too good. She’s too perfect at getting herself out of sticky situations; too perfect at being better than everyone else. Even when she’s defeated she is only losing because she allows the other person to think of her as weaker. This wasn’t merely something like she has the ego to think she’s the best. There’s nothing here to show she isn’t the best.

And, with that comparison to Jack Sparrow–we all know even the best pirates need someone else to save their skin sometimes.

The writing I think is what kept me from giving this book any higher than three stars. While I know that it’s just due to my taste, I couldn’t dive into the style. The tone didn’t feel right to me. For all of the reasons I loved the way this book was going, that couldn’t persuade me to fall in love with the writing. Which is . . . pretty much a big one for me when I judge books.

I think this is going to be a series; I can almost guarantee that I won’t read the sequel. Which disappoints me so muchbecause, like I said, I love some badass women pirates. I love these types of characters. I just wish this had been written differently.

3/5 stars

 

 

 

2 stars · fiction · young adult

I Hate Everyone but You

33916153

i hate everyone but you

authors : gaby dunn & allison raskin

pages : [arc] 352

summary :

Dear Best Friend,
I can already tell that I will hate everyone but you.
Sincerely,
Ava Helmer
(that brunette who won’t leave you alone)

We’re still in the same room, you weirdo.
Stop crying.
G

So begins a series of texts and emails sent between two best friends, Ava and Gen, as they head off to their first semesters of college on opposite sides of the country. From first loves to weird roommates, heartbreak, self-discovery, coming out and mental health, the two best friends will document every moment to each other. But as each changes and grows into her new life, will their friendship be able to survive the distance?

review:

I received an ARC from Wednesday books in exchange for my honest review. 

I was so excited to read this book, because books with a unique text format are always something that I’m going to reach for an try out. I Hate Everyone But You is told in text messages and emails between two best friends who are separated from one another by over 3,000 miles as they navigate freshman year at college. All of the exploration, romance, and fun that comes with attending college, wrapped into an important relationship between two teenagers.

Unfortunately, it was a cute concept with little execution.

Before getting into that, I would like to note what I did love about this book. I loved that Ava, one of the main characters, has a variety of disorders–I say variety because she mentions problems with OCD, anxiety, and depression, though we can’t be entirely certain what her diagnosis is. I don’t say I loved this because I want anyone to go through this–mental illness is horrible. But it’s so rare to find YA in which a main character having even one of those mental illnesses isn’t the actual plot of the book. Yes, it certainly affects Ava, and the course of the novel, and even Gen, but this isn’t a book about OCD, or anxiety, or depression. It’s about Ava and Gen. And I loved that. The characters don’t define themselves by these illnesses, and knowing how many younger readers will be picking up this book because the authors both publish videos on YouTube, that’s an incredibly important message to send out.

The thing that had me most reluctant to review I Hate Everyone But You is because I could never quite find the plot in it. The way that it ends, the authors may be setting up for a possible sequel, because it just ends. Many things that I thought might be resolved, like romance and personal issues that I won’t get into for fear of spoiling anything, tapered down to a rushed ending.

Throughout the novel, it was extremely hard to discern one voice from the other. Ava and Gen blended together so completely that I often had to check the names in the headers of their emails to determine who was who. As best friends, I know their writing would have some overlap, but with such distinctive personalities, their text speech should have differed more as well. The texts were more confusing to read than the emails, as using icons next to their names was a cute idea but forced me to triple-check which icon belonged to who each time a conversation started.

And then there was the date rape joke.

We arrived at ZBT to a line of freshman pledges handing out tropical punch and leis. The party had a jungle theme and probably at least one case of date rape. (I’m joking. I hope.)

(This is a quote from the ARC, so I plan to check this quote against the finished copy when the book is released on September 5th.)

I simply don’t understand when people will stop thinking that rape jokes are funny. With all of the other huge issues in this book, with Gen and Ava navigating what is appropriate/inappropriate to say in LGBTQ+ spaces–those conversations were great. I feel like these lines by Ava could have sparked another discussion. One that reiterated how not okay it is to make light of date rape, because there are still so many men and women whose experiences and traumas are invalidated.

That was the biggest problem I had with this book.

I know many readers and reviewers will also feed into the controversy of YouTube personalities filtering into the publishing industry these days. I’ve personally never watched either author’s videos, but I feel like that shouldn’t matter. Whether someone has striven to become an author since they were a kid or they only decided to write because they already had a fanbase, the book is still going to be judged on its own. I Hate Everyone But You just didn’t hold up for me.

Is this the last we’ll see of Gen and Ava? Maybe not, if this book does well. But it’s certainly the last I’ll see of them.

2/5 stars

 

2 stars · fiction · young adult

She, Myself, & I by Emma Young: bland writing, cool concept

34227690

She, Myself, & I

author : emma young

pages : [hardcover] 384

favorite character : rosa

summary :

Ever since Rosa’s nerve disease rendered her quadriplegic, she’s depended on her handsome, confident older brother to be her rock and her mirror. But when a doctor from Boston chooses her to be a candidate for an experimental brain transplant, she and her family move from London in search of a miracle. Sylvia—a girl from a small town in Massachusetts—is brain dead, and her parents have agreed to donate her body to give Rosa a new life. But when Rosa wakes from surgery, she can’t help but wonder, with increasing obsession, who Sylvia was and what her life was like. Her fascination with her new body and her desire to understand Sylvia prompt a road trip based on self-discovery… and a surprising new romance. But will Rosa be able to solve the dilemma of her identity?

review :

I received an ARC of She, Myself, & I from BookCon and while I am exceptionally thankful for that, it in no way affects my review.

I wanted to love this book. From the minute I read the summary, I knew I had to get my hands on it, and my friend and I just happened to be in the right place at the right time during BookCon to grab an ARC. I guess the only book I could possibly compare it to is that Meg Cabot novel about the girl who has her brain placed inside the body of a celebrity. This is nothing like that.

Rosa is in many ways a typical teenager. Her brother is simultaneously annoying and a best friend; she has friends online across the world she’ll probably never meet in real life; her parents hover a little too much. But she’s also been diagnosed with a real, debilitating, terminal illness. Her independence has slowly been taken away by this neurological disorder that isn’t ever named (so far as I know) and the specifics of which remain vague. Still, it’s shown that the longer it progresses, the less Rosa has a chance at life.

Until tragedy strikes, and one family is losing their teenage daughter. But for Rosa, this means she might get to live.

I love how She, Myself, & I addressed so many questions that there aren’t really answers to–ethical, spiritual, physical. One brain, one body–so is it all Rosa? Is anything left of the dead girl? As painful as it was, I loved that struggle, because it made it feel so much more real. Rosa’s questioning her own soul, what it means now that all that’s left of her old self is her brain.

While the ideas and themes were great, the writing just didn’t do it for me. The dialogue was fairly bland and the writing was quick, simplistic, and not very descriptive. The romance felt a little forced for me, less insta-love and more like Rosa picked the best out of all of her options and simply went for it. I didn’t feel much chemistry between them, and honestly thought it would have been more interesting had they remained simply friends. The book didn’t particularly need the romance; it didn’t improve from it, and Rosa is already dealing with so many other changes I feel like the focus should have remained on them.

There were a few other plot points that fell flat for me, but I won’t mention them because I don’t want to give out any spoilers. That’s because I know there will be people who love this book more than I did. I really want to read more of Emma Young’s writing in the future because I can see the potential here and feel like her perfect book for me simply hasn’t been written yet.

I probably won’t go around recommending this book, but I’ll certainly hand it off to someone else so they’ll have the chance to read it.

2/5 stars

 

3 stars · fiction

they both die at the end didn’t manage to make me cry

33385229

they both die at the end

author : adam silvera

pages : [hardcover] 384

favorite character : rufus

summary :

On September 5, a little after midnight, Death-Cast calls Mateo Torrez and Rufus Emeterio to give them some bad news: They’re going to die today. Mateo and Rufus are total strangers, but, for different reasons, they’re both looking to make a new friend on their End Day. The good news: There’s an app for that. It’s called the Last Friend, and through it, Rufus and Mateo are about to meet up for one last great adventure and to live a lifetime in a single day.

review :

A big thank you to Edelweiss for providing me with an E-ARC in exchange for my honest review.

I was really really really excited to read this book.

This is the first book by Adam Silvera that I’ve read and when I attended Book Con this year, I think this was one of the most popular ARCs floating around the scene. I’m not a typical contemporary reader–there are times I absolutely love them, times I hate them, and I can never read too many of them in a row. But I dove right into this book without knowing about it’s compelling concept: somehow, someone has developed Death Cast, a system where if you are slated to die on a certain day, you’ll have your call by 2 A.M. that it’s your day to die.

Of course, this leaves so many questions. How do they know this? Who determines it? Are people dying because they’ve been told to die, or is this thing that predicts their deaths also predicting everything they’ll do after learning they’ll die? What about the people who end up dying between midnight and 2 A.M? Do they not get a call, or do they get their call the day before?

So many questions, and I love how the characters address some of the questions themselves, because they don’t know. The operators at Death Cast don’t know. The people getting the calls don’t know. The people left behind by their dying loved ones don’t know. They can question and beg and plead for answers all they like and, in this book as in reality, there are no full answers. Which I liked.

Another thing I loved was the diversity in this book. Most of the main characters are people of color, one of the narrators is bisexual, and the other never outright defines his sexuality apart from giving enough evidence that it certainly isn’t straight. That was awesome.

But, what I didn’t love, what ended up distancing me from this book I wanted so desperately to love, was the writing. It didn’t grip me; it felt too bland. I couldn’t connect fully with the other characters because some of the dialogue felt clunky and jarred me out of the story. In the plotline, there were some pieces that read too much to me like things that often make me put down contemporaries. Pieces that are so obviously slated to be symbolic, or quirky, or meaningful, that just don’t feel realistic or flow reasonably in the setting. I won’t give any specific examples because of spoilers, and quoting from an ARC, but it’s something I ran into before.

And, I have to admit, I cry a lot over books. It isn’t unusual for me. This book didn’t really get to me until hours later, when I was still considering how it had made me feel. I think, most importantly, it made me consider what I would do if I knew it was my last day to live. Or what I would do if it was my last day and I never knew it until it was too late. Would I want to know? I don’t think so. But, as They Both Die at the End shows, maybe something great can come out of the knowing.

This book certainly wasn’t for me. I don’t regret reading it, and I’m definitely going to try other books by this author. Still, I won’t be throwing this into any recommendations I give out.

3/5 stars